MT Space 24-25 Presenting Series – House Programme

CONVERSATIONS:
Hidden Stories

A collaboration between
Vanguardia Dance Projects & Aanmitaagzi

March 27-30, 2025 – The Registry Theatre 

work created on the land / in the territory of:
VANGUARDIA: Traditional territory of many nations including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples – colonially known as Toronto, ON | AANMITAAGZI: Nipissing First Nations

About the Show 

CONVERSATIONS: Hidden Stories is a dialogue of bodies extended in various latitudes of the Americas. Starting from the investigation of “body and territory” by the Colombian-Canadian choreographer Olga Barrios, this work seeks a conversation between women through the Americas. 

Barrios’ research/creation explores the traces of Indigenous heritage that have been erased in her journey, as has happened with many people in various places in the Americas and the planet. This work is based on the woman of many colours that she experiences in herself and with the many other voices in the world that seek connection with these traces erased from history. 

*CONVERSATIONS: Hidden Stories includes some live and pre-recorded English and Spanish phrases. To improve accessibility, we are providing a transcript and translations of the text: 

Text by Lilia León, voiced off stage (with English translation)

Pequeña flor de piel  (Little flower of skin) 

De semilla a botón  (From seed to bud) 

Do you know where the colour of your petals comes from? 

El viento te llevara lejos, muy lejos de lat tierra que te parió (The wind will take you far, far away from the land that gave birth to you.) 

Pero en tus pies tienes el poder de volverte a plantar (But in your feet you have the power to stand again) 

De nutrirte de la madre tierra (From nourishing yourself from mother earth) 

Habrá tormentas  (There will be storms) 

Tendrás dolor (You will have pain) 

Parts of you will have to die 

Ese es el proceso natural de la vida y la muerte (That is the natural process of life and death.) 

One death equals rebirth. 

Text by Penny Couchie, delivered on stage

I imagine she wanted my father and all her children to love all parts of themselves. 

I imagine she wanted to love and be loved 

for all the parts of herself 

I imagine she saw something familiar in his eyes, something she was deeply connected to 

in the way he moved, 

something she longed for her whole life. 

I imagine she could see the life they would make together, the little ones they would bring into the world. I imagine that in the deepest part of her she did not look past his brown skin. She looked directly at him, saw him, saw herself and reached out. 

In my grandmother’s bedroom, she had a picture of a Spanish dancer. She was beautiful, 

the background was black and mysterious. 

My grandmother never knew her father, never knew that side of her family. She knew her mother’s side; Irish.  They called her father a dark Spaniard. Some said his family was from Colombia. 

They hid my grandmother away. Never let her forget she was illegitimate, much less mixed race. 

I imagine she wanted my father and the rest of her children to love all parts of themselves. I imagine she wanted to love all the parts of herself. 

Show Credits

Dancers & Text Creators
Norma Araiza
Olga Barrios
Penny Couchie
Animikiikwe Couchie
Lilia León 

Composer & Sound Designer – Edgardo Moreno 

Projection Artist – Alejandra Higuera in collaboration with Olga Barrios 

Costumes – Jennifer Kelly 

Lighting Design – Trevor Schwellnus 

Installation Artists – Aanmitaagzi with Sherry Guppy (lead), Sid Bobb, & Penny Couchie 

Director & Choreographer – Olga Barrios 

On stage canvas installation developed by Aanmitaagzi artists with the Youth Summer Arts program at Big Medicine Studio in Nipissing First Nation 

Stage Manager – Kelsey Ruhl

Acknowledgements

Locations of work development: Big Medicine Studio (Nipissing First Nation, North Bay), Arcadia Artists Co-op & National Ballet of Canada (Toronto) 

Supported by funding from the Canada Council for the Arts, the Ontario Arts Council and the Government of Ontario, and the Toronto Arts Council.

 

About the Companies 

Vanguardia Dance Projects is a collective focused on creating, presenting, promoting and supporting works of dance artists with Latin American and Indigenous backgrounds living in Canada. We intend to promote an ongoing exchange and collaboration with international dance organizations and artists. We are interested in the dissemination of contemporary artistic practices of dance artists with Latin American background in Canada, maintaining conversations with the rest of the country and the world. We support innovative artists that include other art disciplines pushing the boundaries of what is called “contemporary” as well as works that, having dance as the core, reflect a permanent search of expression through different languages. 

Aanmitaagzi is an Indigenous multi-disciplinary artist-run company based in Nipissing First Nation. Linked to provincial, national and international networks, Aanmitaagzi is committed to fostering a vibrant arts community through community-engaged projects that promote well-being, strengthen relationships with the land, and incorporate intergenerational approaches and methodologies. Aanmitaagzi combines art-making, education, professional development & social activism through contemporary and customary arts, nurturing historic Indigenous arts practices and exploring how these practices can be carried forward in a meaningful contemporary context. 

Biographies

Director & Choreographer – Olga Barrios

Born in Colombia, Olga Barrios is an awarded artist. Choreographer, dancer, arts educator, video dance creator and the co-founder and co-artistic director of Vanguardia Dance Projects. MFA at York University of Toronto. Olga has collaborated with dance, theater, musical and multidisciplinary projects in Canada, USA and Colombia with diverse companies and troupes. As an independent artist Olga has created and produced several works participating in diverse festivals in Canada and internationally. As dance teacher she has worked in Montreal, Hamilton, Kitchener, Toronto, San Francisco, New Jersey and diverse cities in Colombia.   

Her more recent works as choreographer and director include:  Hybrid Women (Vanguardia Dance Projects creation 2021); The Echo of Hair (2023-4); multidisciplinary collaboration with Triangle collective at Museo de la Memoria in Chile 2024; Films: Dreaming in Blue (Underwater Dance Film 2020) and Cormoran (Dance Film 2024).   

Currently Olga works in exchange projects between Canada and Colombia. She considers the arts a basic link in the process of building community and society.  

More info:  www.olgabarrios.com  

Dance Collaborator – Norma Araiza

Norma Papalotl Araiza is Mexican of Yoeme/Basque heritage, performer, choreographer, and instructor living in Tkaronto, Norma works in different modalities within the arts blending dance, physical theatre, vocals, percussion, and text with cultural and traditional themes in a contemporary context. 

Norma has studied with international theatre directors and artists such as Jerzy Grotowski, Eugenio Barba, Butoh Master Natsu Nakajima, theatre group Tascabile di Bergamo, Kei Takei, Pol Pelletier, Charles Koroneho, among others. 

Norma is the co-artistic director of Vanguardia Dance Projects, a collective promoting Latin American and Indigenous of the Americas dance artists. She holds a master’s degree in dance ethnology from York University and she graduated from the Expressive Arts Therapy Program at CREATE Institute. She has a private practice as an Expressive Arts Therapist and supervises students. 

Her work has been presented at different venues in Tkaronto, throughout Ontario, Montreal, Hungary, California, Rochester, NY, New York City, Colombia and throughout Mexico.   

Dance Collaborator – Animikiikwe Couchie

Animikiikwe Couchie is an emerging multidisciplinary dance artist from Nipissing First Nation. She has worked across a number of disciplines and artistic genres. In 2013, Animikiikwe worked within acclaimed choreographer Penny Couchie’s dance theatre piece entitled When Will You Rage?. She narrated and danced within her mother’s piece. In 2015 she completed her studies at the Canadore College Theatre Arts Program. In May 2018, she completed her training at the Ecole de Danse Contemporaine de Montreal. She was a dancer within Bill Coleman’s piece, Felt in 2018 and 2019. She received OAC’s indigenous Arts Projects award, which gave her the opportunity to workshop and present her piece Within the Layers in May 2022 at Big Medicine Studio on her home territory, Nipissing. She currently works as a community artist with Aanmitaagzi in Nipissing, and finds joy in the inclusivity and collaborative nature of the work. 

Costume Designer – Jennifer Kelly

Jennifer Kelly is a costume designer and sewer based out of Toronto. Jennifer has 25 years experience cutting and sewing costumes for film, television, theater, musicians and performers of different kinds. Previously, Jennifer owned a costume shop “Kelly-Francis Costumes” where she made costumes for Cirque du Soleil, film and television, Stratford Festival, Shaw Festival as well as the Dubai shopping festivals. She has created costumes for television series including The Handmaid’s Tale; The Boys; Beacon 23; The Strain; Canada’s Drag Race; Umbrella Academy; American Gods; Canada’s Got Talent and many other projects. 

Installation Artist – Sherry Guppy

Sherry Guppy is a community-based multi-disciplinary artist from northeastern Ontario. Her work incorporates traditional and contemporary storytelling through large-scale installation, painting, printmaking, and textiles. Her passion is creating community-engaged processes, community-based research methodologies, set design, interactive installations, and arts education. 

She works collaboratively with Aanmitaagzi Storymakers as a lead visual artist on multi-year productions, including All My R(elations, Where Does Art Begin, When Will You Rage, Dances of Resistance, and Serpent People. She has also worked and toured with Aanmitaagzi and Spiderwoman Theatre in productions such as Material Witness and Misdemeanor Dream. 

Dance Collaborator – Penny Couchie

Penny Couchie is an arts leader, dancer, actor, choreographer and community engaged artist of Anishinaabe ancestry from Nipissing First Nation, Ontario. Penny is co-founder and co-artistic director of Aanmitaagzi, an Indigenous multi-arts company based in her home community. Penny holds an Honors BA from the University of Toronto and is a graduate of The School of Toronto Dance Theatre. In 2023 and 2024, Penny was a finalist for the Johanna Metcalf Performing Arts Awards and honoured with the Ontario Arts Council Indigenous Arts Award. In 2016, Penny received the KM Hunter award in Dance.  

Over the past twenty years, Penny has guest taught at schools throughout Canada and the US, including the Centre for Indigenous Theatre. Her most recent choreography includes Spiderwoman Theater’s, Misdemeanor Dream, LaMama, New York, NY, The Unnatural and Accidental Women, National Arts Centre, Ottawa, Aanmitaagzi’s Serpent People, Citadel Theatre, Toronto, Ontario, Material Witness, a co-production by Aanmitaagzi and Spiderwoman Theater, LaMama, New York, NY, When Will You Rage? for Planet IndigenUs, Harbourfront Centre, Toronto, and Like An Old Tale for Jumblies Theatre, Toronto.   

Penny Couchie is co-owner and operator of Big Medicine Studio, a 3,000 square foot facility dedicated to the creation, development and exhibition of Indigenous performing and visual arts. 

Dance Collaborator – Lilia Leon

Lilia Leon is a Mexican-Canadian performing artist with Mestizo heritage, whose artistic practice includes performance, choreography, education and mentoring in dance and theatre. She holds a BA Degree in Dance from York University and is a graduate of Dance Arts Institute, formerly School of Toronto Dance Theatre. In 2024 she founded her own company, Leon Arts, as an umbrella for the creation and performance of multidisciplinary works that celebrate collaboration, versatility and generosity.  

Throughout her career she has had the pleasure of working with remarkable Indigenous, Canadian and Latin American artists and companies including Aluna Theatre, Anita La Selva, Aanmitaagzi, Carlos Rivera, Fiona Griffiths, Kaeja d’ Dance, Norma Araiza, Olga Barrios, Penny Couchie, Vanguardia Dance Projects and Wind in the Leaves Collective— all of whom have instilled her practice with the values of integrity, imagination and inclusion. In her choreography she is drawn to themes of identity, home and ancestry,  and is an advocate for BIPOC artists’ increased representation in the arts sector. Always passionate about movement and wellness, Lilia has successfully built a parallel career as a Registered Massage Therapist since 2021, bringing her embodied wisdom into her therapeutic work. www.leonarts.ca 

Composer & Sound Designer – Edgardo Moreno

Edgardo Moreno is a Chilean born, Hamilton based sound artist who has been commissioned for projects in Canada, Venezuela, Mexico, Sweden, Argentina, England and USA. He has written scores for films produced by CBC, Bravo, City TV, NFB, OMNI, Ontario Arts Council, History Channel, TVO. He has worked extensively with contemporary dance choreographers creating sound design and musical scores. He is presently working in creating video and live sound pieces that are part of his Fireflyproject. His film Double Exposure has screened in various film festivals across Canada and South America. Edgardo has completed an LP of Electro-Acoustic pieces entitled ‘El Piano De Raquel’.  

He has worked with contemporary dance choreographers and artists including Allen and Karen Kaeja, Penny Couchie, Alejandro Ronceria, Olga Barrios, Rulan Tangen, Starr Muranko, Carlos Rivera, Sara Roque, Clayton Windatt, Justyn Manyfingers, Tasha Faye Evans, Jannette Kotowich, Diana Lopez. He is a recipient of a DORA Mavor Moore award for his sound and music composition for Diana Lopez’s NOMADA. 

Projection Artist – Alejandra Higuera

Alejandra Higuera (she/her) is a queer multidisciplinary, visual storyteller focusing on video, illustration, animation, embroidery, and projection. Her work focuses on themes of migration, feminism, memory, grief, ritual, and being an artist parent.  

Lighting Designer – Trevor Schwellnus

Trevor Schwellnus is a scenographer, designing sets, lights, and video for performances with independent groups. One of his chief obsessions is the intersection of design, dramaturgy, and cross-cultural art-making. He is Artistic Producer of Aluna Theatre, where he directed, designed, and toured collective creations like What I learned from a decade of fear, and Nohayquiensepa (No one knows) 

Selected design credits include: Dividing Lines, Blood Wedding, Rubble (Aluna Theatre); Monster (Factory Theatre), Here are the Fragments, Out the Window (Theatre Centre), Our Fathers Sons Lovers and Little Brothers, Marine Life (Tarragon Theatre), White Girls in Moccasins, Of A Monstrous Child, The Silicone Diaries (Buddies in Bad Times), Alien Creature, The Sheep and the Whale (Theatre Passe Muraille), Birds’ Eye View, Ajax & Little Iliad, Relay, /dance/songs/, Smell of the Soul, We Keep Coming Back, among many others. He redesigned Toronto’s Dora Award statuette in 2019, has 6 Dora Awards (of 20 nominations), and was shortlisted for the 2015 Siminovitch Award. 

Full event details here: CONVERSATIONS: Hidden Stories

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